The Fourth Kind 2009 - Poster, Plot, Review, Photos and Trailer HD
August 25, 2010 / 61014
The Fourth Kind is a 2009 American science fiction-horror film, starring Milla Jovovich, Charlotte Milchard, Elias Koteas, Will Patton and Mia McKenna Bruce. The title is derived from the expansion of J. Allen Hynek’s classification of close encounters with aliens, in which the fourth kind denotes alien abductions.
The film was a moderate box office success, earning over US$46 million worldwide.
The Fourth Kind 2009 Plot
In 2002, Chapman University hosts a televised interview with psychologist Dr. Abigail “Abbey” Tyler. She tells her story of a close encounter incident at Nome, Alaska in October 2000.
In August 2000, Abbey’s husband, Will Jammeson, is mysteriously murdered one night in his sleep, leaving her to raise their two children, Ashley and Ronnie. Dr. Campos, a physician from Anchorage, encourages Abbey to take some time off but she refuses, stating that Will’s research must be continued.
Abbey returns to Nome to tape hypnotherapy sessions with three different patients, all of whom have the same experience: every night they have each seen a white owl at their window staring at them. Abbey puts a patient named Tommy under hypnosis, who then begins screaming and spasms erratically. After Abbey awakens him, she asks Tommy what he saw but he refuses to answer and leaves. Later that night, Tommy holds his family at gunpoint, demanding to speak to Abbey. After a brief conversation with her, he screams “Zimbatu Eter!”, demanding to know what it is, then kills his family and himself. The local Sheriff, August, suspects that Abbey’s hypnosis is to blame.
The next morning, Dr. Campos arrives in Nome to see Abbey. He joins her for a session with another patient named Scott. While under hypnosis, Scott starts shaking, foaming at the mouth, levitating, and screaming in a barbaric, unknown language. After awakening him, Abbey suggests that Tommy and Scott were possibly victims of a Non-human kidnapping. Abbey’s secretary, who was earlier instructed to make a transcript of Abbey’s tape recorded notes from the previous night, hands her the tape and hastily leaves the room. Abbey plays the tape which starts with her talking normally, until the tape goes quiet. Abbey is heard breathing heavily then screaming hysterically and a metallic, static voice is heard speaking in the background in the strange tongue. Abbey is shocked and terrified by the recording, not recalling any of those events happening. She then returns home and finds scratch marks in the floorboards that match up with her broken fingernails. Read more …
Dante’s Inferno Horror Game for XBoX, PS3, PC Caps, HD Trailer, HD Gameplay and Raw Review
February 16, 2010 / 36007
Written by Joseph Peterson / When Dante’s Inferno was announced, many viewed it as a ripoff of our beloved PlayStation franchise, God of War. Now that the game has finally been released, it is time to see if it is worthy of a purchase with the God of War III release right around the corner. The game is being published by Electronic Arts and developed by Visceral Games. As the player, you take on the role of Dante, a protagonist who has lost everything. He begins his descent into Hell armed with Death’s scythe and a cross. The game has many connections to “Inferno,” written by poet Dante Alighieri, and is a part of “The Divine Comedy.”
The game begins with this quote, and it caught my attention from the get-go.
In the year 1191, European knights of the Third Crusade captured the city of Acre, about 30 miles from Jerusalem.
Under orders from King Richard, 3000 civilian prisoners were detained. They were held as ransom for a holy relic once taken by Saladin, the Kurdish protector of the Holy Land.
As the hot summer wore on, Saladin dug in and refused to negotiate. Richard grew frustrated, unsure of an attack on Jerusalem.
And the fate of the innocent prisoners was left undecided…
What do the terms Limbo, Lust, Gluttony, Greed, Anger, Heresy, Violence, Fraud, and Treachery mean to you? In Dante’s Inferno, they represent the nine circles of hell that the player must traverse throughout the game. Each circle has its own look and feel to it. Along the way, you will encounter various monsters in their respective circles. Depending on the circle, both the environment and the monsters will change. For example, in Lust, there are many sexual elements present, including constant moaning and women which attack Dante with horrific sexual appendages. Within the Gluttony circle, on the other hand Dante will encounter extremely obese creatures with mouths for hands. These creatures not only attempt to eat Dante, but vomit and defecate on him as well. Read more …
The Wolfman 2010 Poster, Synopsis, HD Trailer and Raw Review
February 13, 2010 / 37796
Starring: Benicio Del Toro, Anthony Hopkins, Emily Blunt, Hugo Weaving
Director: Joe Johnston
Writer(s): Andrew Kevin Walker, David Self
Cinematography: Shelly Johnson
Original Score: Paul Haslinger
Running Time: 102 Mins.
The troubled history of The Wolfman from script-to-screen is as infamous as they get, seeking to reboot their Universal Monster stable the studio hired director Mark Romanek (One Hour Photo), then amidst pre-production Romanek fled citing that all-encompassing reason “creative differences”, onboard came Joe Johnston (Jurassic Park III, Jumanji) and having shot the film then returned for re-shoots (rarely a good sign) that meant the film was delayed a number of times. All in all not the potent mix that would usually lead to a successful, and more importantly, good film.
And alas, as I feared, all the shunting around of dates and change of director makes for a hugely uneven film, and while The Wolfman is far from a total disaster its problems far outweigh what good can be gleamed from the overall mess, it’s hard to know where to start when breaking down a messy film, for there are good parts within the bad and vice versa, the clashing and uneven tone are largely The Wolfman’s overarching problem with both the original director (and scripts) vision jarring against what Johnston seems intent on doing, especially given his slapdash approach at direction that is hampered by some poor editing.
This two-sided approach filters through every aspect, the score ebbs and flows between Danny Elfman-esque gothicism (original composer, also left mid-shoot), and more subdued atmospheric tracks that feel at odds with what is onscreen, a problem that the cast also seem to be afflicted with. Del Toro was evidently brought in when the film was intended as a character piece, yet is now reduced to looking confused and mumbling, while Blunt is quite simply (and uncharacteristically) bland as the love interest, and the less said about their blossoming romance over skimming stones, the better.
Hopkins and Weaving fare much better, hamming it up enough and showing great gusto amidst the films cheesier moments (and they are many!) suggesting that the studio veered from something more serious and decided to settle for parody of their old classic’s, something which would have worked if the film had the intention to carry it throughout. Between the limp attempts at character development are the action sequences, and while they have a certain spark at times and do teeter on the edge of exciting they seem far too glossy and CGI-ed to convince on any level, with the wolfman lopping off heads and arms in comic Monty Python style, any potential scare factor is lost and the blood and guts a little too low-key to likely please even the gore-hounds.
Much has been made of The Wolfman being Rick Baker’s (American Werewolf in London, Wolf) return to werewolf make-up effects, and while a great deal of time and money has been spent attempting to meld the CGI and practical effects together seamlessly it is a very hit and miss affair, the CGI is fantastic when called for in the man-to-wolf changes yet the make-up itself all too often resembles just that, make up, and there is little question as to which wolfman is scarier, this one or that of American Werewolf in London’s, something which goes to show that all the money in Hollywood cant buy you an atmospheric, scary, or fundamentally good film !
The Wolfman 2010 HD Trailer
VERDICT
It is a shame that so little of The Wolfman satisfies, or succeeds, as all the elements are there, sometimes to be clearly seen onscreen. In fact, if we had a character piece starring Del Toro and Blunt with a companion piece that harked back to Universal’s classic monster movie, we may well have had the perfect pair up, as it is, combined as one, the result is just a disappointing mess.
Source: movieblaze.wordpress.com
Percy Jackson & The Lightning Thief 2010 Poster, Synopsis, Trailer and Raw Review
February 13, 2010 / 36243
Starring: Logan Lerman, Pierce Brosnan, Uma Thurman, Sean Bean, Steve Coogan, Rosario Dawson
Director: Chris Columbus
Writer: Craig Titley, Rick Riordan (Novel)
Cinematography: Stephen Goldblatt
Original Score: Christophe Beck
Running Time: 118 Mins.
With a repertoire that includes Bicentennial Man, I Love You Beth Cooper, Rent and Nine Months it’s safe to say that I never really have high hopes upon approaching a new Chris Columbus film, so given that Percy Jackson and the Lightning Thief is the latest attempt at a franchise to fill the soon to be empty Harry Potter void it is unsurprising to find the film is not so much lacking but nigh on redundant, and left me begging the question as to why it was made at all, beyond the obvious reason of cold hard cash!
What is less surprising is that Columbus was also the man responsible for the two first, and by far worst, Harry Potter films, in fact losing Columbus from the franchise is probably the finest thing Warner’s ever did, something which makes the choice to have hired him to make Percy Jackson both financially sound while at once being the worst creative decision ever. Meaning not only are comparisons to the more recent, and largely excellent, Potter films bound be unfavourably drawn but also you are kick starting yet another franchise which the kind of paint by numbers slap-dash approach at direction that plagued Columbus’ Potter efforts. Read more …
Timecrimes (Six Shooter) (2008) - Poster, Synopsis, Review, Photos, Trailer - Upcoming Horror Movie
December 8, 2009 / 19128
Also Known As:
Los Cronocrimenes
Time Crimes
Production Status: In Production/Awaiting Release
Genres: Art/Foreign, Drama, Science Fiction/Fantasy and Thriller
Running Time: 1 hr. 28 min.
Release Date: December 12th, 2008 (limited)
MPAA Rating: R for nudity and language.
Distributors:
Magnolia Pictures, Magnet
Production Co.:
KV Entertainment, Fine Productions S.L., Arsenico, Zip Films
Financiers:
Televisio De Catalunya (TVC), Euskal Irrati Telebista (ETB)
Produced in: Spain
SYNOPSIS
A man who travels accidentally back to the past and meets himself there. A naked girl in the midst of the forest. A weird guy with his face covered by a pink bandage. A disquieting mansion on the top of a hill. All of them pieces of an unpredictable jigsaw where terror, drama and suspense will lead to an unthinkable sort of crime. Read more …
Beth’s Top 5 And Bottom 5 Films For 2008!
December 29, 2008 / 6272
BETH’S BOTTOM 5
5. THE HAPPENING - The trailer looked amazing! It was written and directed by the great M. Night Shyamalan. It even had Markie Mark!…But even with all these things, this film left me wanting to do what the characters in the movie were doing…kill myself. You would think that since it was an M. Night Syhamalan film it’d have this amazing twist right!? WRONG! Aside from waiting for things to get really interesting (which never happened) all I wanted to do was Knock Mark Whalburg out for being such a douche bag, bad actor and get my money back for wasting my time at the theatre! The best part about going to see this was the popcorn…and the guys jumping off the roof in the film cause that was gory as hell, but that’s it! Read more …
Mike C.’S TOP 5 Best Horror Of 2008
December 22, 2008 / 2070
1. LET THE RIGHT ONE IN
- It seems we’ve all fallen for this dreamlike Swedish flick. “Let the Right One In” is beautiful, you’ll hear that repeated from critic to critic, even on our site. I remember when Rob insisted that I watch this I really wasn’t in the mood for a quiet, deliberately paced film, but I was almost immediately captivated.
A love story between two 12 year old kids, one of whom has been 12 for a very, very long time, seems creepy in a very taboo way. However, this isn’t a film that’s challenging in a sordid way. I love the way this movie handles the subject of vampirism.
A must-see, and hands down the best film in the current vampire trend, if not the best horror movie of the year, and just one of the best movies of the year period.
2. [REC]
- While watching this Spanish film, which was remade for American audiences as “Quarantine”, was the first time in years I can remember being completely, totally creeped out.
Hair standing on the back of my neck creeped out. By now you know the premise which, yes I agree, sounds completely hackneyed in the year that brought us “Diary of the Dead” and every schmoe with a camcorder, $20 and a box of Krispy Kreme donuts shooting a zombie movie in their backyard.
Well, the hell with those, because this is the one that works, this is the one that’s scary, and in the last act when you think they couldn’t possibly turn this movie around on you again it goes out with one of the scariest final 10 minutes in recent memory.
3. INSIDE
- Let 2008 stand as the year in which the newly emerging and ignoble art of womb snatching got the “home invasion thriller” treatment. “When did the French get so Italian?” was my reaction halfway through this very bloody movie.
A movie that showcases damage to parts of the human anatomy I, as a card carrying member of the male sex, will never have and makes me react viscerally, wincing in agony for what seemed hours?
To that end I say well done, even if I’m not sure it’s exactly scary. While much of the proceedings in this movie are impossibly over the top, including the ending, I certainly will never forget it (and I will never watch it again). See more reviews about this movie here.
4. THE STRANGERS
- Despite any glaring amateurish flaws (like a knife that makes the “schnink” sound when picked up off the carpet) this was a very impressive directorial debut.
When it is in full swing it is a truly scary, jumpy, fun house horror movie. I may not have liked the characters in it (either the victims or the attackers) but it delivered. Marred only by an extremely grim ending where I was hoping for vengeance.
Extra kudos for the inclusion of Joanna Newsome on the soundtrack. Buy it now for christmas!
You can see another review by ROB G.’S in this post ROB G.’S TOP 10 PICKS of Best & Worst Horror Movies of 2008!
5. BABY BLUES
- Never heard of it? Came out on DVD in August. Find it. Writer/director Lars E. Jacobson delivered a powerfully taboo breaking horror movie about a mother on the verge of a total mental breakdown and the unfortunate young children in her way. I was shocked, appalled, unnerved. If there’s a movie I saw this year that truly horrified me, this is it. If you have kids, please, you’re probably best to avoid this one altogether, it will be tough. The title left me with the impression that I might be getting ready to watch an inappropriately campy movie on the subject of a mother murdering her children.
There’s nothing funny about that, or the incidents in recent years when it’s happened. But this is not a campy movie, it’s dead serious, and while it may seem like borderline (or from your perspective obvious) exploitation filmmaking, the subject is handled with extreme care.
MIKE C.’S HONORABLE MENTION
TRUE BLOOD
- I love this show. Absolutely love it. Obviously I can’t name it as one of my top favorite movies of the year but I need to call it out. Alan Ball has taken some very silly books and made a fine supernatural television series out of them. The show is sexy, engaging, and just raunchy enough to be made for HBO. I kind of also dig the idea that when it first aired “Twilight” fans might have tuned in out of curiosity. I love the idea that Alan Ball’s TV show about vampires maybe have introduced some 13 year old tween to the concept of erotic asphyxiation. That tickles my soul a little. “Mommy, that vampire is definitely NOT sparkling!” But seriously, it’s a damn fine show. Call me up for Team Sookie.













