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Horror Photos, Photograph (34 HQ Pics)

August 19, 2008 / 1652

A (often shortened to photo) is an image created by light falling on a light-sensitive surface, usually photographic film or an electronic imager such as a CCD or a CMOS chip. Most photographs are created using a camera, which uses a lens to focus the scene’s visible wavelengths of light into a reproduction of what the human eye would see. The process of creating photographs is called photography. The word “” coined 1839 by Sir John Herschel and is based on the Greek φώς (phos), “light” + γραφίς (graphis), “stylus”, “paintbrush” or γραφή (graphê), “representation by means of lines” or “drawing”, together meaning “drawing with light”.

The first permanent was made in 1826 by a French inventor, Joseph Nicéphore Niépce, building on a discovery by Johann Heinrich Schultz (1724): that a silver and chalk mixture darkens under exposure to light. Niépce and Louis Daguerre refined this process. Daguerre discovered that exposing the silver first to iodine vapor, before exposure to light, and then to mercury fumes after the was taken, could form a latent image; bathing the plate in a salt bath then fixes the image. These ideas led to the famous daguerreotype.

The daguerreotype had its problems, notably the fragility of the resulting picture, and that it was a positive-only process and thus could not be re-printed. Inventors set about looking for improved processes that would be more practical. Several processes were introduced and used for a short time between Niépce’s first image and the introduction of the collodion process in 1848. Collodion-based wet-glass plate negatives with prints made on albumen paper remained the preferred photographic method for some time, even after the introduction of the even more practical gelatin process in 1871. Adaptations of the gelatin process have remained the primary black-and-white photographic process to this day, differing primarily in the film material itself, originally glass and then a variety of flexible films. Read more …

Movie Posters - Horror Suspense Movies and Horror Poster

August 18, 2008 / 20383

Film

Movie” redirects here. For Skyhooks song, see Movie (song).
“Scary movies” redirects here. For the movie parody series, see Scary Movie film series.

1922’s Nosferatu Portal
films are movies that strive to elicit fear, and terror from viewers. In film plots, evil forces, events, or characters, sometimes of supernatural origin, intrude into the everyday world. movies usually include a central villain. Early films often drew inspiration from characters and stories from classic literature, such as Dracula, Frankenstein, The Mummy, The Wolf Man, Phantom of the Opera and Dr. Jekyll and Mr. Hyde. Later films, in contrast, often drew inspiration from the insecurities of life after World War II, giving rise to the three distinct, but related, sub-genres: the -of-personality film, the -of-Armageddon film, and the -of-the-demonic film. The last sub-genre may be seen as a modernized transition from the earliest films, expanding on their emphasis on supernatural agents that bring to the world.

films have been criticized for their graphic violence and dismissed as low budget B-movies and exploitation films. Nonetheless, all the major studios and many respected directors, including Alfred Hitchcock, Roman Polanski, Stanley Kubrick and Francis Ford Coppola, have made forays into the genre. Serious critics have analyzed films through the prisms of genre theory and the auteur theory. Some films incorporate elements of other genres such as science fiction, fantasy, mockumentary, black comedy, and thrillers. Read more …

Horror Pictures, Horror Pictures Poetic and Artistic

August 17, 2008 / 878

Poetic

Ivan Kramskoy’s “Unconsolable Grief”: In many cultures, wearing of dark colors shows griefAs a poetic term, darkness can also mean the presence of shadows, evil, or depression.

Darkness can have a strong psychological impact. It can cause depression in people with seasonal affective disorder, fear in nyctophobics, comfort in lygophilics, or attraction as in gothic fashion. These emotions are used to add power to literary imagery.

Religious texts often use darkness to make a visual point. In the Bible, darkness was the second to last plague (Exodus 10:21) and the location of “weeping and gnashing of teeth.” (Matthew 8:12) The Qur’an has been interpreted to say that those who transgress the bounds of what is right are doomed to “burning despair and ice-cold darkness.” (Nab 78.25) In Greek Mythology, three layers of night surround Tartarus, a place for the worst sinners as far beneath Hades as heaven is high above earth.

The Hindu goddess Kalí (black, dark colored) is also closely associated with darkness and violence, though she is equally associated with motherhood and benevolence.

In Chinese philosophy Yin is the feminine part of the Taijitu and is represented by a dark lobe.

The use of darkness as a rhetorical device has a long standing tradition. Shakespeare, working in the 16th and 17th centuries, made a character call Satan the “prince of darkness” (King Lear: III, iv) and gave darkness jaws with which to devour love. (A Midsummer Night’s Dream: I, i) Chaucer, a 14th century Middle English writer, wrote that knights must cast away the “workes of darkness.” Dante described hell as “solid darkness stain’d.” Read more …

Notte Horror, Pictures Horror Mixed

August 16, 2008 / 1263

Early writings
Horrific situations are found in some of the earliest recorded tales. Many myths and legends feature scenarios and archetypes used by later writers. Tales of demons and vampires in ancient and more recent folklore were often quite horrific.

Modern fiction found its roots in the gothic novels[citation needed] that exploded into popularity in the late 18th and early 19th centuries, typified by Horace Walpole’s The Castle of Otranto (1764) as a prototype, and refined by Ann Radcliffe’s Gothic novel The Mysteries of Udolpho (1794). A variation on the Gothic formula that remains one of the most enduring and imitated works is Mary Wollstonecraft Shelley’s novel Frankenstein (1818, revised version 1831). Frankenstein has also been considered science fiction, a philosophical novel or a ‘novel of purpose’ by some literary historians. At the same time, John William Polidori devised the kind of vampire story that has since become familiar with his short story The Vampyre. This kind of supernatural character, combining evil with sinister charm, has since been much used and elaborated by writers.

The first published American story was Washington Irving’s The Legend of Sleepy Hollow.

Later gothic descendants included seminal late 19th century works such as Bram Stoker’s Dracula and Henry James’s The Turn of the Screw. Early works used mood and subtlety to deliver an eerie and otherworldly flavor, but usually eschewed extensive explicit violence. Read more …

Jessica Alba Imitates Famous Horror Movie Scenes For Latina Magazine

August 15, 2008 / 17643

Jessica Marie Alba (born April 28, 1981) is an American television and film actress.

Alba began her television and movie appearances at age 13 in Camp Nowhere and The Secret World of Alex Mack (1994). Alba rose to prominence with the television series Dark Angel (2000–2002), then expanding her résumé to film, predominantly within the confines of action and comedy.Alba later appeared in various films including Honey (2003), Sin City (2005), Fantastic Four (2005), Into the Blue (2005), Fantastic Four: Rise of the Silver Surfer (2007) and Good Luck Chuck of the same year.

Alba appears frequently on the “Hot 100″ section of Maxim and was voted AskMen.com’s number one on their list of “99 Most Desirable Women” in 2006, as well as “Sexiest Woman in the World” by FHM in 2007.

She also appeared on the cover of Playboy, which was followed by a lawsuit that was later dropped. Alba has won various awards for her acting, including the Choice Actress Teen Choice Award and Saturn Award for Best Actress (TV) for her acting in the series Dark Angel.

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Horror Pictures; The Distinction Between Horror and Terror is …

August 7, 2008 / 450

The distinction between and terror is a standard literary and psychological concept applied especially to Gothic literature and film (Radcliffe 1826; Varma 1966; Crawford 1986: 101-3; Bruhm 1994: 37; Wright 2007: 35-56). is the feeling of revulsion that usually occurs after something frightening is seen, heard, or otherwise experienced. It is the feeling one gets after coming to an awful realization or experiencing a deeply unpleasant occurrence.

By contrast, terror is usually described as the feeling of dread and anticipation that precedes the horrifying experience. In other words, is more related to being shocked or scared (being horrified), while terror is more related to being anxious or fearful (being terrified) (Varma 1966). has also been defined as a combination of terror and revulsion.

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Fuente: Flickr

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